Adelante Intern and Study Abroad
Semester in San Jose

PROGRAM A 

 

PLACEMENT FEE

  • Semester 2010: $5,995 
  • Non-refundable application fee: $150

 

PROGRAM A DATES

 

Spring Semester 2010:

 

April 5th - June 25th

 

Fall Semester 2010:

  • September 27th - December 17th

 

APPLICATION DEADLINE

 

Spring Semester 2010: February 22nd

  • Fall Semester 2010: August 2nd

 

PROGRAM B

 

PLACEMENT FEE

  • Semester 2010: $5,995
  • Non-refundable application fee: $150

 

PROGRAM B DATES

 

Fall Semester 2010:

  • September 6th - December 10th

 

APPLICATION DEADLINE

  • Fall Semester 2010: July 9th
Frequently Asked Questions

Semester in San Jose

Program B Course List

ART, DESIGN & ARCHITECTURE COURSES


ART, DESIGN & ARCHITECTURE COURSES

15 week semesters - Students with an ADVANCED level of Spanish only

ADVERTISING DESIGN  GO TO INDEX

ADDS 101: Design I (6 credits)
This course is an introduction to the study of design as the anatomy of a visual language. The program is oriented to reveal feeling and the professional vocation with a view of the comprehension of the social and universal values of visual graphic communication.

ADDS 104: Labeling and outlining (4 credits)
This course studies the typography and its application in the graphic solution of design. The course expands on alphabets and symbols as points of escape and the dominion of work instruments.

ADDS 203: Advertising Composition I (3 credits)
The course focuses on writing efficient, creative, and original messages for advertising announcements. Students will analyze and criticize existent texts in advertising.

ADDS 204: Presentation Techniques I (4 credits)
This course develops the principles for using techniques of graphic representation, materials, and the use of color, which the student should decide and apply experimentally in the solution of a visual requirement for the presentation of a project.

ADDS 205: History of Advertising Design I (3 credits)
This course presents the general problems of Art, Culture, and Civilization. Students will analyze basic notions and categories in the visualization of their complex historical origin in the development of the cultures and of art from pre-history to the Renaissance. The course stimulates an investigative attitude for the recognition of the artistic image.

ADDS 304: Marketing I (3 credits)
This course brings about aspects of marketing techniques, information systems, consumer conduct, buyer conduct, competitive advantage, and others.

ADDS 404: Communication I (3 credits)
This program addresses punctual knowledge to understand the interrelation within communication and other sciences, like semiotics and Advertising Design. Students will deal with basic principles in the planning of the advertising campaign process where it is necessary to launch with a basic end of persuasion.

ADDS 603: Advertising Psychology (3 credits)
This course focuses on the knowledge of the relationship between public, market, psychology, and processes such as motivation, perception, personality, as part of critical and creative methods of advertising strategies.

ARCHITECTURE  GO TO INDEX

ARCH 103: Graphic Expression I (3 credits)
This course develops drawing abilities in the lifted-hand technique as a fundamental tool for the expression of architectural thought and exercising the application of fundamental elements of composition as textures, proportion, volume, etc. exploring the feeling of the student and their creative potentials.

ARCH 302: Theory of Architecture I (3 credits)
This course introduces fundamental concepts of contemporary thought related to the student’s capability to make diagnostics about the problems that they confront in real architectural space. This course develops the process of evaluation and theoretical maintenance of urban and architectural proposals through the critical reflection through process development and amplification of individual thought.

ARCH 403: History of Architecture I (3 credits)
This course is a survey of architectural design through the historical development of humanity. Students will reflect on the connection of ideological, aesthetic, and constructive aspects in different cultural spaces through the theoretical and critical revision of twentieth century designs and specific examples in Costa Rica.

FILM & T.V.  GO TO INDEX

CTV 104: History of Film I (4 credits)
This course offers a general vision of film as a method of artistic expression, massive communication and as an industry of entertainment. It deals with subject guidelines such as: language, structure of work, and cinematographic genres which analyze the factors that take part in the production and commercial exploitation of a movie. A survey of different trends, works and authors represented in the history of film.

CTV 204: History of Film II (4 credits)
This course focuses on the elements of cinematographic language developed during the twentieth century such as the incorporation of sound with digital and special effects. Student will learn to recognize the phenomena of film as a result of social, aesthetic, and economic relations through the formal and reflexive analysis of paradigmatic examples of large European and American productions.

CTV 302: Script Theory and Techniques (4 credits)
This course introduces the techniques of dramatic composition from a semiological focus through the study and the comprehension of the theory of visual codes and the processes of meaning that the writing implies for these representations. Analyzes and exercises the elements that an audiovisual script is composed of and its specifics for different communicative mediums: radio, film, and T.V.

CTV 304: History of Film III (4 credits)
This course deals with the most relevant stages and productions of Latin American cinematography and its relation to universal film. Students will learn about the importance of the construction of regional and national identities in Latin America through the analysis of three large film production centers of the first half of the century: Mexico, Brazil, and Argentina. The course emphasizes the evolution of Costa Rican film from its beginning to the present era.

CTV 403: Cinematographic Aesthetics (3 credits)
This course proposes the aesthetic analysis of expressive methods of film and T.V. through the study and debate of film theories and the definition of the particular and differentiating features of cinematographic language as a particular expressive resource. Students will deal with the relations within the aesthetic theories of T.V. (representative authors of different eras and tendencies) and their socio-historic and ideological conditioning.

CTV 504: Costa Rican Culture (4 credits)
This course is a general and integral panorama of the Costa Rican culture from its origin until the contemporary era through the evolutionary analysis of different branches of artistic production: literary, plastic, musical, and scenic. This course sets out from a perspective that favors the reflection upon the evolution of these artistic processes through fundamental themes to understand the local culture as a case of identity and the characteristics of the definition and application of cultural politics through history.

DIGITAL ANIMATION  GO TO INDEX

DA 101: Design I ( 3 credits)
This course introduces the basic principles in Design through the analysis and application of the theories of the visual alphabet: composition, proportion, scale, etc. Students will learn to understand them as a linguistic resource for the conception and projection of ideas. The course offers the necessary tools for the development of abilities in two dimensional representation using different techniques of expression in black and white, like the use of graphite and ink in diverse mediums with the goal of inciting experimentation and creativity.

DA 102: Drawing I (3 credits)
This course develops the knowledge of the basic concepts and techniques of drawing by hand. Introduces and exercises procedures and criteria for the representation of three-dimensional space: perspective, score, negative and positive space, organizational lines, tonal values, etc. This course focuses on the learning and application of expressive drawing and free drawing which allows the student the possibility to develop abilities of reproducing an image, and at the same time, their skill and intuition before the creative process.

DA 103: Introduction to Multimedia (4 credits)
This course offers the basic tools necessary to be able to begin to express their thoughts in three large areas: Digital art, digital animation, and interactivity. Addresses and exercises concepts like timeline, frame, script, creation, and editing of bitmap images. The course introduces themes related with editing, creation, and post-production of videos.

DA 104: Aesthetics and representation (3 credits)
This course is an exposure to the fundamental aspects of the evolution of philosophical thought with attention given to detailed models of history (classic, modern, contemporary) in their relation with the concepts of space and representation offering the student basic instruments to develop an appropriate conceptual and critical reflection on their field of professional work

DA 105: Artistic Literature (3 credits)
This course addresses literature as a form of particular artistic expression and explores it in this specialization as an alternative for the construction of speeches of high symbolic content. The study and interpretive decoding of universal literatures master works favors the humanist formation within the student. Provides idea-aesthetic essential for the cultural and imaginative development, which is required in the professional field of digital animation.

DA 203: Animation 1 (3 credits)
This course introduces the basic principles of animation through specific exercises about the expressive possibilities of movement apparent in the animated drawings (fabrication), the language, style, time, rhythm, (gesticulations), sound, and the personality of the characters utilizing the digital technology to accelerate the learning process.

DA 204: History of Animation I (3 credits)
This course is an introduction to the study of animation through the technical, aesthetic, and social analysis, which determines the development of artistic methods. The course analyzes the particularities of this industry through the recognition of the pioneering studies developed in the U.S.A. in the first half of the 20th century, the evolutionary process throughout history placing emphasis on stylistic definitions, and criteria of the preferences of public spectators.

DA 205: Basic Principles of Acting (3 credits)
The fundamental concepts related to the field of interpretive art and essential tools for the foundation of a professional of audiovisual production. Brings about themes like the role, the specific functions of the director and actor, and analyzes the dramatic text as a point of interaction within both components of the creative proposal. The course reflects on the importance of the script and the director’s accurate presentation of strategies that make feasible an organized production with efficiency of resource investment both economic and temporal.

DA 405: Art and Civilization (3 credits)
This course establishes the coordinated fundamentals for the development of different forms of artistic expression from its origin until the contemporary era. The course analyzes the cultural process through the relations between image, design, and thought systems centering attention on symbolic models, which allow the establishment of historical guidelines as they appeared. The elected themes favor the recognition of the dialogical relations between the western culture and Latin America, this as an enrichment and the actualization of the focuses for the reflection on the most recent artistic practices.

INTERIOR DESIGN  GO TO INDEX

INDS 101: Composition and Form Workshop I (4 credits)
This course introduces the basic elements of visual communication through abstract two-dimensional methods. Defines and exercises concepts of composition, contrast, balance, proportion, rhythm, representation, association, symbolism, etc. taking into account the linguistic and cultural implications in the area of design.

INDS 103: Introduction to Research Methods (3 credits)
This course instructs and motivates students in the development of research as a basic component of the creative process and as an essential way to assimilate and construct knowledge. Based on relationships between concepts of science, art, and research and fundamental definitions this course will establish guidelines of historical behavior. From this premise the student will learn to investigate and consider artistic products related to their specialization.

INDS 203: Color Workshop (4 credits)
This course deals with the fundamental theories and the perception of color through the analysis of psychological, symbolic, and semiological attributes and the application of these concepts to interior design. This course favors the generation of creative and original proposals for the solution of projects, which categorize the communicative potential of colors in relation to the function of spaces that qualify.

INDS 303: Aesthetic Psychology (3 credits)
This course deals with the general aspects of the theory of perception as a cognitive construction from the world in which we live, emphasizing the principles of interior design as a strategy to generate pleasing environmental experiences, security, or motivational inspiration. This course focuses on the environment as a scenario of communication and social interaction, and as a system of symbols and emotional dispositions of a space as text. The course is oriented towards the reflexive and creative capacities of future interior designers in their relationship with potential clients.

INDS 304: History of Interior Design I (4 credits)
This course analyzes and reflects on different stages of the historical development of private life (from the primitive community to the Middle Ages) assuming the definition of living as social space. The main theme corresponds with references to occidental cultures and will bring about the comparative study of the results of important centers of Oriental societies, pre-Hispanic with views that favor student knowledge and the amplification of cultural and aesthetic concepts. The course offers the necessary interdisciplinary perspective using, as fundamental sources, the History of Art, Sociology, Anthropology, Psychology of Art, Theory of Design, Culture and Architecture theories

INDS 305: Materials I (3 credits)
This course offers the student theoretical and logical definitions, techniques that are fundamental for the recognition and utilization of different materials of construction (concrete, lumber, metals, transparent materials, lights, etc.) in the planning and implementation of an interior design project. These practical duties favor respective reflection and the application of these materials to a functional aesthetic point of view.

PHOTOGRAPHY  GO TO INDEX

PHOT 101: Introduction to Photography (must take concurrently with 102) (2 credits)
This is a theoretical/practical course that will introduce the fundamental theories and basic processes of the photographic camera

Reflex of 35mm and the specifications of its use, the different types of film negatives in black and white their characteristics and potentials for their application etc. This course looks at the hierarchy of the significance of light and its connection with nature, distribution, and relation with the formation of visual images and photographs, these with the existent relations between time of exposure and lighting.

PHOT 102 Photography Laboratory I (must take concurrently with 101) (2 credits)
This course deals with the basic processes of the laboratory, and the knowledge of the variables for the use of materials of service: equipment and materials for developing black and white photography, the film (handle, density, grain), the paper (XXXXX, fixed grain, variable contrast), chemicals, techniques to control the contrast (filters, plate restrictions, intensifiers), techniques to improve the zones of photography (stands, masks, filters), etc.

PHOT 305 Latin American Culture (3 credits)
This course deals with the fundamental guidelines of Latin American thought through the representative exponents of literary productions. This course evaluates Latin America’s development from colonial time to the contemporary era emphasizing the benefits of narratives as essential resources for the bringing about of cultural reflection around the region with a construction of the students own imagination.

PHOT 404 History of Photography I (3 credits)
This course introduces the history and evolution of photography from its origin (1839) until 1920. Through the knowledge and evaluative analysis of works and representative authors of this chronological segment this course will bring about the reflection on the development of the technical particularities of photography and its significance from the documental and cultural point of view.

PHOT 604 Costa Rican and Latin American Photography (3 credits)
The course analyzes the development of photography in Latin America with emphasis placed on Costa Rica, taking notice of the most significant guidelines in its evolution while evaluating its significance in the historical context of world photography. Students will study works produced by Latin American artists and Costa Rican correspondents of the nineteenth and twentieth centuries. This course covers the recognition of the photographic image as an expressive resource of high cultural representation and brings about the historical investigation and the updating of the theme in the Latin American and local arena.

PRODUCT DESIGN  GO TO INDEX

PRDS 101 Design I (5 credits)
This course deals with the two fundamental aspects of the design process: first it centers the students’ attention on the basic studies of the genesis of form and its connection to the field of design and second, it assimilates the visual perception and the initial phenomenon of visual communication.

PRDS 204 Product Design Methodology (3 credits)
The goal of this course is to provide a tool for the channeling and directing of creativity as a solution for diverse kinds of design problems. Contributes to the formation of the capacity to structure work methods and confront solving problems.

PRDS 303 Industrial Design History (3 credits)
This course introduces characterizes the design of a product from its social and economic origin and its communication with the technological advances and techniques. The course stresses the vision of the design process not only from the designers’ perspective but also with the participation of other agents that make the materialization of the design possible, its industrial development, commercialization, and its final uses.


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